Album review: 'Rust in Peace' by Megadeth

Rust in Peace

On Rust in Peace, Megadeth make difficult playing sound urgent rather than academic. Dave Mustaine's riffs keep changing direction, but the songs have clear points of arrival. Marty Friedman's lead guitar adds a different melodic instinct, giving the sharp rhythm work something expressive to push against.

Holy Wars... The Punishment Due is an extraordinary opening. The early attack has speed and clarity, then the slower central section changes the scale of the song. The move feels substantial because the band establish each part firmly before shifting again. Mustaine's voice is abrasive, but its edge belongs with the music's impatience.

Hangar 18 offers another kind of structure. The vocal sections establish the premise, then the guitars take on an increasingly active conversation. The succession of leads is exciting because the underlying figures keep changing too. It feels like a song developing through instrumental ideas rather than a queue of solos waiting for attention.

Nick Menza and David Ellefson are essential to that control. The drums underline the changes without making them seem mechanical, while the bass gives the complicated patterns a strong physical outline. Five Magics benefits particularly from the sense that all four players are moving through the arrangement together.

The shorter pieces bring useful contrasts. Poison Was the Cure explodes after a quieter opening, and Lucretia has a distinctive rhythmic lift. Tornado of Souls is the clearest meeting of memorable vocal writing and expressive guitar work. Friedman's solo extends the feeling of the song instead of merely displaying his reach.

Dawn Patrol is a stranger pause, with its low bass figure and half-spoken vocal. It is slight as a separate composition, but the change of texture helps prepare the final attack of Rust in Peace... Polaris. The record occasionally asks Mustaine's limited singing range to carry more than it comfortably can. Even so, its instrumental imagination is so tightly connected to the songwriting that the performances remain compelling far beyond their technical difficulty.