Album review: 'Unfold the Future' by The Flower Kings

Unfold the Future

Unfold the Future is a generous and unusually varied statement from The Flower Kings. Across more than two hours, the band move between large progressive rock arrangements, gentle songs and music with a much freer jazz feel. The scale is demanding, but the range gives the album more character than another collection of familiar epics would have offered.

The Truth Will Set You Free provides the largest opening. Its extended form makes room for clear vocal melodies, recurring themes, expressive guitar and broad organ sounds. The quieter middle creates space inside the arrangement, while the returning ideas give the long piece a sense of direction. Its influence from classic Yes is obvious, though the performances give the music plenty of conviction.

Monkey Business follows with a more direct guitar attack. Black and White starts more gently before moving towards active instrumental playing. These changes in scale are important: the record works best when a shorter song or different rhythm interrupts the grandeur.

Silent Inferno brings harder progressive rock into contact with a looser jazz passage. Bass and percussion help the change feel active, with the players exploring different roles inside the same composition. Soul Vortex and The Devil's Danceschool take that freer side further, making the second half less predictable than its opening might suggest.

There are quieter moments too. The Navigator and Vox Humana give the voices and gentler arrangements room to breathe. Their placement helps break up the heavier playing, even if the amount of music means that not every change feels essential.

Devil's Playground ends with another extended composition. Strong guitar and organ, atmospheric passages and a saxophone interlude lead through several different settings before the larger finale. It is an effective demonstration of the band's range, though it also repeats the album's central difficulty: there is a great deal to absorb before reaching that conclusion.

Unfold the Future would gain focus from some editing. The smooth, polished presentation can also soften the rougher edge of its experiments. Even so, its curiosity and instrumental chemistry make the length easier to accept. The Flower Kings offer a substantial record whose strongest moments justify the ambition, even when the complete programme asks for more patience than it always rewards.