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Reviews

1607 found · Page 14 of 67

8.5

Album review

Psalm 69

Ministry

Psalm 69 turns repetition into a powerful source of tension. Ministry place heavy guitars, hard drums and distorted voices firmly alongside one another. Samples interrupt that…

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8.1

Album review

Bleach

Nirvana

About a Girl is the giveaway. Between the grinding guitars and Kurt Cobain's roughest singing, a small, beautifully shaped pop song suddenly appears. Bleach already contains b…

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8.0

Album review

Violence

Nothingface

Violence makes the contrast between melody and aggression its main attraction. Nothingface keep the guitars heavy and the rhythms forceful, but Matt Holt's voice gives the mus…

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8.7

Album review

Take Me Back to Eden

Sleep Token

The most effective surprise in Take Me Back to Eden arrives when The Summoning seems to have finished its main work. After its heavy guitar passages, expansive singing and sus…

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8.3

Album review

Time

Louis Cole

Time makes a strong connection between skilled playing and songs that want you to dance. Louis Cole brings his precise drumming into bright funk-pop, with light singing and ke…

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8.8

Album review

Never Hungover Again

Joyce Manor

Nineteen minutes can hold a surprising amount of indecision. Never Hungover Again races through ten songs, but Joyce Manor keep finding different ways to make a small encounte…

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8.1

Album review

Artlessly Falling

Mary Halvorson

Mary Halvorson starts with the words on Artlessly Falling. The songs are built around different poetic forms, yet rarely sound as though they merely serve a complicated idea. …

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7.6

Album review

Ricochet

Rise Against

Rise Against have made enough records to know how their songs usually work. Ricochet keeps that identity, but changes the setting around it. The guitars are broader, the arran…

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8.3

Album review

Flesh Stays Together

Dying Wish

Flesh Stays Together finds Dying Wish making more space for melody without softening the feeling behind the music. The Portland band’s third album is still full of hard riffs,…

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7.9

Album review

Disciplined Breakdown

Collective Soul

For an album with breakdown in its title, this is remarkably controlled music. Collective Soul turn personal strain into sharply arranged songs, trusting bright guitar sounds …

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8.0

Album review

The Silent Force

Within Temptation

The Silent Force builds Within Temptation's large arrangements firmly around the singing. Sharon den Adel sounds assured and gives the melodies considerable emotion while orch…

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8.0

Album review

Nightmare

Avenged Sevenfold

Nightmare moves between theatrical heavy metal and a more exposed expression of grief. Avenged Sevenfold recorded the album after drummer Jimmy Sullivan's death, with Mike Por…

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9.0

Album review

American Idiot

Green Day

Green Day make a useful discovery on American Idiot: a song can get much bigger without losing its basic urgency. The record stretches from short punk attacks to long sequence…

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7.7

Album review

Animals

TTNG

The guitars draw attention almost constantly on Animals. Clear notes tumble over one another while the drums seem to keep choosing a different route. TTNG, then known as This …

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8.5

Album review

Contempt

Couch Slut

Contempt makes Couch Slut's music clearer without making it more comfortable. Guitars are heavy and rough, drums hit hard, and Megan Osztrosits gives the songs a continuously …

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9.1

Album review

Lonely People with Power

Deafheaven

Deafheaven bring the harsh vocals back to the front on Lonely People with Power, but the lessons from their softer music remain. The album is heavy, melodic and unusually good…

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8.5

Album review

Neverworld's End

Xandria

Neverworld's End commits convincingly to large symphonic metal with a firm foundation of guitar, bass and drums. Manuela Kraller gives the music a powerful operatic voice. Her…

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8.8

Album review

Fortress

Alter Bridge

Fortress makes a six-minute opening song feel like a sensible place to begin. Cry Of Achilles has enough melody and internal movement to justify its scale, and Alter Bridge ke…

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9.1

Album review

Destroy Erase Improve

Meshuggah

The alarm-like guitar notes at the start of Future Breed Machine make a useful warning. On Destroy Erase Improve, Meshuggah take the forward drive of thrash metal and repeated…

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8.3

Album review

Secondhand Daylight

Magazine

Secondhand Daylight brings Magazine’s keyboards further forward and makes the surrounding music colder. Dave Formula’s playing can be spacious, harsh or suddenly forceful, whi…

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8.9

Album review

After Laughter

Paramore

The cheerful rhythm of Hard Times does not make its subject any easier. That is the central achievement of After Laughter: Paramore make colourful, inviting music while Hayley…

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8.6

Album review

Who Let the Dogs Out

Lambrini Girls

Lambrini Girls don't spend much time preparing you for the point. Who Let the Dogs Out is loud, angry, funny and frequently rude, with Phoebe Lunny's voice pushed straight int…

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8.6

Album review

Rise Radiant

Caligula's Horse

Rise Radiant is strongest when Caligula's Horse concentrate their ideas. The Tempest opens with a sharply defined guitar figure and a vocal melody that can rise above it witho…

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9.2

Album review

Alive or Just Breathing

Killswitch Engage

Alive or Just Breathing makes compassion sound forceful. Jesse Leach's voice can move from a raw shout to a much more exposed melodic phrase, and the music treats those approa…

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