Album review
Juju
Siouxsie and the Banshees
Juju gives Siouxsie and the Banshees a dark, tightly controlled sound without sacrificing memorable songs. John McGeoch’s guitar can be sharp, restless or strangely bright. Bu…
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Album review
Peace...Like a River
Gov't Mule
The songs on Peace...Like a River take their time, but Gov't Mule rarely sound as if they are waiting for an idea to arrive. Guitar, keyboards, bass and drums keep shaping the…
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Album review
Highway Prayers
Billy Strings
Twenty songs is a lot, but Billy Strings keeps a firm focus on the song itself throughout Highway Prayers. His guitar playing remains impressive and the band has plenty of spa…
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Album review
Technatura
Vulkan
Technatura has a strong voice at its centre. Vulkan surround Jimmy Lindblad's clear singing with heavy guitar, changing rhythms and a dark, detailed atmosphere. The Swedish ba…
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Album review
Tripper
Hella
Tripper shows how much space two musicians can fill. Hella returns to Spencer Seim's guitar and Zach Hill's drums, keeping the flow of ideas fast and the individual parts almo…
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Album review
Too Much Guitar
Reigning Sound
Too Much Guitar reveals its intentions immediately. Reigning Sound push the guitars forward and let the rhythm section play hard against them. Greg Cartwright sings with a rou…
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Album review
I Am Hollywood
He Is Legend
I Am Hollywood makes heavy music feel unusually lively. He Is Legend combine forceful riffs and screams with clear singing, active bass and guitar parts that reach beyond a si…
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Album review
Beyond Man and Time
RPWL
Beyond Man and Time gives RPWL's melodic progressive rock a broad, ambitious setting. The music is built around patient arrangements, expressive guitar and layers of keyboards…
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Album review
Freedom Highway
Rhiannon Giddens
Freedom Highway connects the weight of history to music that remains full of movement. Rhiannon Giddens draws on folk, blues, gospel and more recent sounds, using them to tell…
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Album review
Dispose
The Plot In You
Dispose shifts The Plot In You towards a more electronic and melodic sound. Heavy guitars remain part of the picture, but the main focus is Landon Tewers' voice and the space …
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Album review
Octopus
Gentle Giant
Octopus puts a wide range of musical ideas into a compact progressive rock album. Gentle Giant move between harder guitar playing, intricate vocal parts, folk detail and quiet…
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Album review
Existential Void Guardian
Conan
Existential Void Guardian keeps Conan's force compact and direct. The guitars sound thick and abrasive, the voice pushes hard against them and the drums give the music conside…
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Album review
To Only a Few At First
Royal Coda
To Only a Few At First gives Royal Coda's busy post-hardcore a clear centre. The guitars are quick and colourful, the rhythms keep changing shape, and Kurt Travis moves betwee…
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Album review
Dogrel
Fontaines D.C.
Dogrel makes a strong entrance, but Fontaines D.C. have more to offer than the first few fierce songs suggest. The guitars are sharp, the bass keeps things moving, and Grian C…
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Album review
Juturna
Circa Survive
Juturna builds its identity from restless guitars, detailed drumming and Anthony Green's unusually high voice. Circa Survive make the music feel unsettled even when a melody i…
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Album review
Wake in Fright
Uniform
Wake in Fright turns repetition into an unsettling force. Uniform place hard electronic rhythms against scraping guitars and Michael Berdan's aggressive voice. The music moves…
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Rustin’ in the Rain
Tyler Childers
Rustin' in the Rain covers a useful amount of ground in less than half an hour. Tyler Childers moves between lively country rhythms, gospel touches and open-hearted ballads, k…
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Album review
Nightfall in Middle Earth
Blind Guardian
Nightfall in Middle-Earth chooses a larger story than a sequence of fast power metal songs. Blind Guardian turn J.R.R. Tolkien's The Silmarillion into songs and short spoken t…
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'Allelujah! Don't Bend! Ascend!
Godspeed You! Black Emperor
'Allelujah! Don't Bend! Ascend! gives Godspeed You! Black Emperor's return a clear musical purpose. The Montreal collective build large instrumental pieces from guitars, strin…
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Album review
Soul
Eric Church
Soul lets Eric Church's band settle into a looser groove. Country remains part of the singing and writing, but funk, gospel and warmer rock textures shape much of the music. T…
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Album review
Karmacode
Lacuna Coil
The bass sits unusually far forward on Karmacode. In 2006, Lacuna Coil move towards a more compact, heavier rhythmic sound, with clear influences from nu metal. Keyboards and …
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Album review
Immortal
Lorna Shore
Immortal makes Lorna Shore's symphonic side central to the music. Keyboards and choir-like sounds do more than sit behind the heavy guitars. They help determine how the songs …
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Album review
13 Ways to Bleed on Stage
Cold
13 Ways to Bleed on Stage keeps its darker mood close to the surface. Cold combine heavy guitar arrangements with Scooter Ward's low, rough singing, using melody to give the w…
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Album review
Primordial Malignity
Tomb Mold
Primordial Malignity keeps death metal rough without hiding its riffs. Tomb Mold establishes a thick, dark sound in which the guitars continually move a little differently fro…
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