Burdens
Burdens finds its strength in restraint. Ava Inferi let the guitars move slowly and give Carmen Simões's singing a place among the instruments. She does not remain constantly in front. The music therefore feels like one connected, dark whole, where a small change of tone can matter more than a large chorus.
Rune Eriksen mainly uses chords, separate guitar lines and subtle differences between acoustic and electric sounds. This gives the record a cold surface with softer places beneath it. Quiet passages allow the voice room without completely separating it from the backing. The music rewards attention to the way these elements fit together.
The Shrine uses piano to bring more colour into the sombre setting. Such moments work because they add to the atmosphere instead of suddenly replacing it. Songs often begin simply and gradually become fuller. That gives the slow music some movement even when its pace barely changes.
Vultos stands out especially clearly. Portuguese singing, brighter guitar parts and softer percussion give it a different rhythmic feel. It still belongs on the album but briefly opens a window in the dark sound. Long closing track Fate of Mountains instead seeks more weight through layered guitars. The atmosphere is strong, although a clear release of tension never quite arrives.
That is also the limitation of Burdens. Individual pieces develop, but together they can seem to stand still. Some heavier moments offer less than the quieter details preceding them. The debut still has a character of its own. Voice and guitars can build something together without constantly chasing an immediate effect. Ava Inferi offer an engaging introduction for listeners with patience for slow, atmospheric metal and an interest in the quieter details within it.
