Album review: 'We Are Not Alone' by Breaking Benjamin

We Are Not Alone

So Cold gives We Are Not Alone an unusually strong centre of gravity. The guitar figure has room to establish its uneasy atmosphere before Benjamin Burnley's voice rises above it. The song's force comes from the way those parts keep working together, rather than simply from a heavy chorus arriving on schedule.

Breaking Benjamin's second album is less consistent than that opening promise. The basic sound is appealing: dark guitar textures, clear melodic hooks and a singer who can switch from a restrained phrase to a rougher attack. Simple Design uses those contrasts effectively, including a quieter acoustic passage that gives the heavier playing more definition.

Away and Believe are other strong examples of the band finding a definite shape for its aggression. The riffs give Burnley something substantial to push against, and the melodic parts remain easy to follow. The songs have enough movement to suggest that accessibility does not have to mean stripping away every awkward edge.

The quieter material provides useful variety. Forget It has a gentler surface and a different melodic feel from the harder songs, while Rain closes the main program with an acoustic setting. These changes are welcome, though the writing can become too plain when the instruments are asked to carry less of the tension. A softer arrangement exposes the weaker phrases as clearly as it reveals a good tune.

The more abrupt heavy shifts are not always convincing either. Breakdown starts with a different mood before forcing the intensity upward, and the connection between those sections feels less natural than on So Cold. Some lyrics also land as disconnected statements rather than parts of a clear emotional thought.

We Are Not Alone works best as an uneven collection with several excellent ideas. The band has a strong feel for the meeting point between brooding atmosphere and an inviting chorus, but it does not find that balance every time. Its strongest songs remain worth hearing because the tension is built into the writing, rather than supplied only by the volume.