Album review: 'Cool World' by Chat Pile

Cool World

Cool World makes Chat Pile's music firmer and more cohesive. Heavy bass, low drums and angular guitars gain room to maintain a stubborn groove. Raygun Busch's voice can break fiercely through it, but also sounds exhausted and restrained. Tension comes from that combination of physical force and a delivery that could change at any moment.

I Am Dog Now opens with an immediately memorable riff. Guitars move between tight patterns and more melodic noise while the band handle rhythmic changes confidently. Busch's strained voice makes the music less settled. The song sounds carefully produced without losing its edge.

Frownland shows how much weight bass and drums give this record. The lowest sounds stand firmly within the music and push the guitar parts ahead. Chat Pile use repetition to strengthen that movement. The ingredients do not need constant changes while the tension between them remains tangible.

Masc gives melody a larger role. Guitar takes a softer, more spacious colour before heavier sections apply more pressure. That contrast makes the song more accessible without removing its discomfort. Busch remains strained even in the more melodic passages. The band let that vulnerability exist beside the heavy backing.

The tighter approach has a cost. There are fewer strange detours and unexpected turns than on the debut. Some broad accusations also lack the sharpness of a more concrete story. Even so, Cool World retains plenty of character. Its riffs are powerful, the interplay assured, and melodies extend the music's reach. Chat Pile lose some unpredictability but gain an exceptionally convincing heavy groove in return. It is a strong development of an already distinctive sound.