Years Past Matter
Years Past Matter takes its time explaining what is happening. Krallice creates so much simultaneous movement that the first impression can easily become a continuous stream of guitars and drums. The vocals sit further back, adding to the activity without dominating it. Following the individual parts reveals how closely these musicians work together.
Opener IIIIIII begins with an indistinct drone before the guitars and fast drums burst forward. That entrance establishes the approach: a recognisable idea soon changes direction. The two guitars do not continually follow the same line, while bass and drums hold the music together and push it onwards.
The many notes form more than a succession of individual demonstrations. Melodies flow into each other, and calmer, more spacious sounds emerge from the same guitar movements as the aggressive sections. This gives the record a surprisingly open character for music that demands so much attention. Familiar black metal techniques produce more than coldness or anger here.
The long closing piece, IIIIIIIIIIII, makes the interplay particularly clear. After a brief vocal presence, the instruments have considerable space. Recurring guitar figures are changed and recombined, with the drums continually allowing different movements.
Still, the record is a substantial challenge. Songs can blend together, and without close attention the constant fullness becomes tiring. Listeners familiar with earlier Krallice albums will not hear a complete change of direction either. Its strength lies in the performance and coherence. Years Past Matter makes a familiar approach feel mobile and convincing, provided you are willing to listen beyond the initial rush.
