Album review: 'Much Love' by Microwave

Much Love

Much Love takes Microwave's rough melodic rock into more flexible territory. Nathan Hardy can sound gentle and inviting before the same song turns towards a strained shout. The band give those changes room to happen, using quieter guitar tones, blues touches and a strong rhythm section alongside the heavier playing. The result is varied without feeling pulled in unrelated directions.

Roaches eases into the record at a measured pace, allowing the opening to establish its mood before the fuller playing arrives. Lighterless then brings more direct guitar energy. The roughness remains part of the sound, but the songs are arranged with more care than their untidy surface might suggest.

Vomit is one of the clearest examples of the band's range. Its softer guitar sound and delicate vocal develop towards harder riffs and angry shouting, making the change in intensity feel connected to the song. Hardy's voice does much of the emotional work, yet the band give that performance a strong structure to move through.

Dull introduces a different kind of warmth. Acoustic guitar, a softer vocal and melodic guitar responses make its quieter approach engaging. Whimper also brings a blues influence into the playing, with a more patient groove and a delicate vocal. Its apparent ending gives way to another burst of guitar, allowing the song to find a forceful conclusion without losing its earlier character.

The record is less convincing when its details become difficult to hear. Hardy's singing can sit too far back in the mix, particularly early on, and some of the more familiar material is less distinctive than the strongest songs. Busy and Homebody keep closer to the band's existing style, while the softer-to-heavier changes offer a more interesting way forward.

Wrong ends with a sparse arrangement that lets the record settle rather than forcing one last big climax. The care in the transitions helps these different approaches feel like parts of a complete album. Much Love does not invent a new language for emo or alternative rock. It does show Microwave finding more expression inside their own sound, with strong singing and well-judged contrasts giving the best songs a lasting impact.