Album review: 'No More Tears' by Ozzy Osbourne

No More Tears

There is more reflection in No More Tears than its loud guitars might initially suggest. Ozzy Osbourne still enjoys a big chorus and a theatrical threat, but the record also finds convincing room for regret and affection. Zakk Wylde's guitar helps connect those moods through a sound that is heavy, melodic and unmistakably his own.

Mr. Tinkertrain opens in deeply uncomfortable territory. The childlike introduction and the predatory character in the lyric create a tension that the bright, forceful music never completely resolves. It is an effective piece of horror, though the catchy presentation makes the subject especially unsettling.

The title track has a more spacious design. The repeating bass figure establishes a firm centre, allowing the guitars, keyboards and voice to build a larger scene around it. The extended middle passage is a strong part of the drama, and Wylde's solo has a melodic patience that gives the song a clear emotional high point.

Mama, I'm Coming Home works through a simpler arrangement. The acoustic character and broad melody allow Osbourne to sound exposed without asking him to become a different singer. The slight roughness in his voice helps the sentiment feel personal. Road To Nowhere achieves a similar effect at the end, letting reflection provide a satisfying close.

The heavier songs keep the record from becoming too solemn. Desire is brisk and direct, while Hellraiser has a memorable swagger. Wylde's fills give both extra movement, and the rhythm section keeps the weight under control. The instrumental opening of Zombie Stomp also offers a useful change of perspective.

Some of the production choices are very generous with effects and dramatic emphasis. A few moments would make their point with less decoration, but the songs generally support the scale. The lasting strength of No More Tears is its range of emotional positions. Its hard rock confidence and more vulnerable melodies belong together, giving Osbourne a richer set of material than the familiar image of the madman might promise.