Murdered Love
Murdered Love sounds like a band who understand their strengths again. P.O.D. bring the connection between rap, punk, reggae and heavy guitars clearly forward. The music has more force than its quieter moments might suggest, while the melodies remain large enough to connect easily. Producer Howard Benson helps those different sides sit clearly alongside each other.
Eyez opens sharply, with additional harsh singing from Jamey Jasta. His contribution increases the pressure without taking over the song. The title track maintains the energy and gives Sonny Sandoval room to scream again. P.O.D. sound convincing when the backing becomes heavy because the rhythms and vocal lines keep it recognisable.
Higher and Lost In Forever supply a more accessible side. Their broad choruses provide a clear contrast with the aggressive opening. Beautiful brings the music further down. Simple backing and the guitar melody leave the singing enough room to express its emotion. A quiet song does not always need an elaborate arrangement to work.
There are weaker moments too. West Coast Rock Steady and Bad Boy aim for a looser party atmosphere, but their lyrics and emphatic attitude do little to help. The seriousness that can be convincing elsewhere gives way to something more forced. Panic & Run makes better use of the variety with its quicker, punk- and reggae-informed energy.
The whole remains somewhat uneven, yet the strongest songs clearly demonstrate why this combination of styles works. Commitment in the performance, firm guitar parts and well-placed melodies give Murdered Love enough character. P.O.D. find renewed energy by working carefully with familiar ingredients. The album makes a good case for that approach, particularly when its rougher passages and melodic choruses support each other instead of pulling in different directions.
