Pinky's Blues
Pinky's Blues centres on a guitar, but mainly on what Sue Foley communicates through it. Her pink Telecaster gives the record its name and much of its character. The Canadian guitarist chooses the direct approach of Texas blues: clear lines, firm rhythms and enough space to let a few notes speak.
The instrumental title track begins sharply and without much polish. Guitar sits firmly at the front, but the backing keeps everything loose and mobile. Two Bit Texas Town then gives that approach a recognisable song. Foley keeps the pace relaxed and lets the melody do the work.
Dallas Man has more bite. The attack sounds firm and the song makes a strong impression. Say It's Not So slows the pace instead. The singing becomes more expressive and the guitar has time to build tension. Foley can place strength and restraint convincingly beside each other.
The choice of other songs works well too. Think It Over introduces a gentler soul colour. Hurricane Girl has a rougher character again, with Jimmie Vaughan on rhythm guitar. The guest appearance strengthens the interplay without taking the focus away from Foley.
Bass and drums consistently give her a clear foundation. Jon Penner and Chris Layton maintain firm movement while producer Mike Flanigin adds occasional organ. The recording preserves the feeling of musicians playing together in one room. Air remains around the amplifier and between the parts.
Okie Dokie Stomp gives this digital version a lively instrumental finish. Pinky's Blues makes clear choices and carries them out particularly well. The familiar blues forms stay appealing through the feeling, timing and personality of the guitar playing. Foley needs little decoration to make an impression.
