Album review
PUP
PUP
PUP make a rough entrance and then keep revealing how much control sits underneath it. Their self-titled album is packed with shouted hooks and distorted guitar, but the songs…
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Album review
PUP
PUP make a rough entrance and then keep revealing how much control sits underneath it. Their self-titled album is packed with shouted hooks and distorted guitar, but the songs…
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Machine Head
Machine Head give their guitar partnership a great deal of room on The Blackening. Robb Flynn and Phil Demmel use extended arrangements to move between hard rhythmic attacks, …
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Stone Temple Pilots
Interstate Love Song lasts little more than three minutes. It has a lovely guitar opening, a chorus that seems to arrive exactly when it should, and enough movement to make th…
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John Scofield
A Go Go makes a strong case for keeping jazz complicated beneath the surface and easy to enjoy above it. John Scofield joins keyboardist John Medeski, bassist Chris Wood and d…
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Pain of Salvation
Remedy Lane makes technical playing feel uncomfortably personal. Pain of Salvation use shifting rhythms and abrupt changes of mood to express uncertainty, desire and loss, wit…
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Suicide Silence
No Time to Bleed keeps Suicide Silence's attack recognisable while giving the songs more varied movement. Heavy guitar patterns and fast drums remain important. Within that fr…
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Mayday Parade
“Oh Well, Oh Well” lets Mayday Parade take their time before showing their full strength. Piano and strings leave Derek Sanders alone with his disappointment, then the band ar…
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Bring Me the Horizon
Post Human: Survival Horror moves quickly between panic and release. Bring Me the Horizon packs electronic noise, direct rock hooks and severe bursts of metal into nine tracks…
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40 Below Summer
Invitation to the Dance gets much of its character from the distance between its heavier and more melodic moments. 40 Below Summer use down-tuned guitars, forceful rhythms and…
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Foo Fighters
Foo Fighters have decided to get on with it. Your Favorite Toy is a short, noisy record with very little interest in explaining itself. The songs move quickly, Dave Grohl spen…
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Alice in Chains
Stone earns its name before the singing begins. The low riff has a blunt physical presence, while the vocal melody seems to lean against it rather than ride comfortably above.…
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The Strokes
Room On Fire makes the small changes in the Strokes' sound worth following. The guitars keep their clearly divided roles, the songs stay brief, and Julian Casablancas still so…
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Bad Omens
The most interesting heavy sounds on The Death of Peace of Mind often arrive late in a song. Bad Omens lets a beat, a close vocal or a small synth figure establish the mood be…
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Three Days Grace
Life Starts Now sounds strongest when Three Days Grace allow a little energy to break through the grievance. “The Good Life” has a lively, percussive drive, and “Break” turns …
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Cristina Vane
Nowhere Sounds Lovely connects a journey through America with a search for an individual sound. Cristina Vane uses old blues forms while making room for country and bluegrass.…
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Yussef Dayes
Black Classical Music introduces Yussef Dayes as more than a remarkable drummer. He brings together jazz, funk, reggae and electronic influences with a strong sense of how oth…
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The Warning
The Warning make a strong first impression on Keep Me Fed, and the songs give that impression somewhere to go. The Mexican trio's fourth album is full of heavy riffs and clear…
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Riverside
Conceiving You needs only a small piano figure to make its emotional position clear. Riverside allow the song to grow around that beginning, with Mariusz Duda's voice and Piot…
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GA-20
On Try It...You Might Like It: GA-20 Does Hound Dog Taylor, the American trio look for the energy of an important influence. Hound Dog Taylor's music calls for sliding guitars…
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Pallbearer
Foundations of Burden sounds huge, but its strength lies in how carefully Pallbearer place their melodies. Heavy guitars give the songs weight. Above them, voices and guitar l…
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Korn
The bass on Korn's debut sounds almost like another percussion instrument. Its dry clicks push against low guitar notes, while the drums leave spaces big enough for Jonathan D…
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The Pineapple Thief
It Leads to This finds The Pineapple Thief making careful use of a relatively concise set of songs. The music remains restrained and often melancholy, but the guitars have eno…
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Fall Out Boy
The strings at the beginning of So Much (for) Stardust suggest that Fall Out Boy have arrived with a large statement to make. Then Love From the Other Side brings in the guita…
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Julian Lage
Arclight shows how much Julian Lage can do with a small group. Scott Colley's double bass and Kenny Wollesen's drums give his electric guitar room to move without letting the …
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