Album review
Teeth Marks
S.G. Goodman
Teeth Marks gives S.G. Goodman's personal writing a broad and sometimes forceful sound. The Kentucky songwriter can sit close to a folk melody or let the guitars become roughe…
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Reviews
1631 found · Page 35 of 68
Album review
V
Spock's Beard
V finds Spock's Beard building large arrangements around clear, memorable melodies. Keyboards and guitar move between gentle passages and heavier rock, with an active rhythm s…
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Album review
Outrun You All
House of Protection
Outrun You All gives House of Protection a clearer, more controlled sound. Stephen Harrison and Aric Improta combine heavy guitars, electronic rhythms, and melodic vocals on t…
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Album review
Culcha Vulcha
Snarky Puppy
Culcha Vulcha gives Snarky Puppy's instrumental music a fuller studio setting. The arrangements bring together funk, jazz, soul and a wide range of rhythmic influences, with k…
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Album review
Starting Over
Chris Stapleton
Starting Over brings Chris Stapleton's country, soul and Southern rock together with confidence. The title suggests a new direction, but the record is more interested in makin…
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Album review
Zenith
Bleed From Within
Zenith gives Bleed From Within’s heavy sound a broader setting. The Glasgow band keep the forceful riffs, sharp rhythms and melodic choruses at the centre of their seventh alb…
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Album review
Gift
Taproot
Gift places Taproot firmly inside the heavy, emotional sound of early nu metal. The guitars hit hard, the rhythm section keeps the music moving, and Stephen Richards switches …
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Album review
Fractured
Lunatic Soul
Electronic rhythms give Fractured a clear pulse, but the human performances keep it from feeling cold. Mariusz Duda brings acoustic guitar, expressive bass and carefully layer…
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Album review
Peripheral Vision
Turnover
Peripheral Vision gives Turnover's songs a softer surface without removing their emotional pull. The guitars are clear and lightly blurred, the rhythms move at an easy pace, a…
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Album review
Gunmen
Orden Ogan
Gunmen moves Orden Ogan into a world of revolvers and supernatural western stories. Musically, the band stay closer to home. Heavy guitars, large vocal layers and easily remem…
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Album review
Made of Breath Only
sleepmakeswaves
Made of Breath Only has the scale of a heavy instrumental rock record without relying entirely on force. sleepmakeswaves bring together dense guitars, active bass, drums and e…
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Album review
Murdered Love
P.O.D.
Murdered Love sounds like a band who understand their strengths again. P.O.D. bring the connection between rap, punk, reggae and heavy guitars clearly forward. The music has m…
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Album review
Take It Like a Man
Amanda Shires
Take It Like a Man lets Amanda Shires move freely between country songwriting, pop arrangements and soul. The production gives her plenty of space to change direction, while t…
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Album review
White Blood Cells
The White Stripes
White Blood Cells shows how much two musicians can do with strong songs and a clear sound. Jack White makes his guitar scrape and his voice crack, while Meg White gives everyt…
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Album review
Dirty Honey
Dirty Honey
Dirty Honey keep their first full-length album focused on the essentials. There are eight songs, plenty of guitar, and a voice with the rasp and reach to match the riffs. The …
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Album review
Epitaph
God Is an Astronaut
Epitaph gives God Is an Astronaut's instrumental rock a darker, more patient shape. Guitar melodies remain important, but piano and electronics have more space to establish th…
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Album review
Boundless
Long Distance Calling
Boundless returns Long Distance Calling to a fully instrumental approach, giving the German band space to concentrate on the relationship between guitars, bass and drums. The …
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Album review
Are We All Angels
Scowl
Are We All Angels gives Scowl's music a much larger melodic role. The hardcore force remains present, particularly when Kat Moss moves into a harsher vocal delivery, but the s…
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Album review
Tyrannosaurus Hives
The Hives
Tyrannosaurus Hives shows how much care sits behind the Hives' apparent wildness. The guitars fit tightly together, the drums keep the speed under control, and Pelle Almqvist …
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Album review
Three Dollar Bill, Y'all $
Limp Bizkit
Three Dollar Bill, Y'all $ makes Limp Bizkit sound raw and nervous. Guitars are heavy, but bass and drums give the music considerable movement. Fred Durst alternates rapping w…
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Album review
Manning Fireworks
MJ Lenderman
Manning Fireworks puts troubled people inside music that often feels easier than their lives. MJ Lenderman sings in a plain, slightly tired voice, letting awkward details and …
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Album review
Ignore This
Dead Pony
Ignore This gives Dead Pony plenty of room to show what they can do. Across sixteen tracks, the band combine thick guitar riffs, bright vocal hooks and restless electronics, b…
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Album review
Play Loud
The Record Company
Play Loud puts a brighter finish on The Record Company's music. The blues rock foundation remains, but larger hooks, funk rhythms and more polished arrangements give the songs…
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Album review
On The Ranch
Emily Nenni
On The Ranch gives Emily Nenni's country songs a lively, unforced setting. Her voice has a clear twang and a slightly rough edge, while the band keeps the rhythm moving around…
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