Album review
Nonstop Feeling
Turnstile
Nonstop Feeling brings a lively sense of movement to Turnstile's hardcore. The guitars are heavy, the drums hit firmly and Brendan Yates has a forceful voice, but the music do…
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Album review
Turnstile
Nonstop Feeling brings a lively sense of movement to Turnstile's hardcore. The guitars are heavy, the drums hit firmly and Brendan Yates has a forceful voice, but the music do…
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Julian Lage
Julian Lage gives his guitar a different role from one piece to the next on Speak To Me. One moment it sounds clear and almost cautious; soon afterwards it takes charge of a f…
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Pain of Salvation
In the Passing Light of Day brings weight and vulnerability into the same space. Pain of Salvation return to a heavier progressive sound, with thick guitar riffs and forceful …
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Local H
Pack Up the Cats gives Local H's rough guitar rock a stronger melodic shape. Scott Lucas and Joe Daniels make a substantial sound as a duo, with producer Roy Thomas Baker brin…
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Hot Milk
A Call To The Void brings Hot Milk's pop melodies and heavier rock into one busy, colourful debut. Han Mee and Jim Shaw share the vocals, moving between clear singing, sharper…
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Béla Fleck
My Bluegrass Heart gathers a large group around Béla Fleck's banjo. The music has bluegrass momentum and acoustic clarity but regularly takes less predictable routes. Arrangem…
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Kacey Musgraves
Golden Hour moves Kacey Musgraves towards a softer, more open kind of country-pop. Harmonies and synthesisers surround songs that still depend on clear melodies and familiar w…
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Demob Happy
Divine Machines puts the groove at the centre of Demob Happy's rock sound. The guitars are heavy and slightly hazy, but the bass and drums give the songs their real movement. …
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Gilad Hekselman
Far Star gives Gilad Hekselman's guitar a larger setting. He also plays bass and keyboards and builds much of the music himself, with contributions from several guests. Electr…
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Billy Strings
The guitar playing on Home is impressive, but Billy Strings gives it more purpose than a simple display of speed. Bluegrass remains the foundation, with banjo, mandolin and ba…
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Morbid Angel
On Domination, Morbid Angel often favour riffs with a firm, heavy movement over a constant rush of speed. The result carries a noticeably different weight. The guitar parts re…
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Eric Church
Chief finds Eric Church working comfortably between country songwriting and harder rock arrangements. The subjects are familiar: work, drinking, lost relationships and memorie…
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Rendezvous Point
Universal Chaos keeps its progressive ideas inside relatively compact songs. Rendezvous Point give keyboards and Geirmund Hansen's voice a prominent role, with heavier guitar …
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The Blue Stones
Black Holes builds a large sound from a small line-up. The Blue Stones combine guitar, drums and voice around blues-rock grooves, with clean production and more space than a s…
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And So I Watch You from Afar
Gangs is in a hurry. And So I Watch You from Afar use their second album to send riffs crashing together, change the rhythmic footing and charge into the next turn as a group.…
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David Rawlings
Poor David's Almanack brings folk songs, rougher guitars and playful stories into a compact set. David Rawlings has a distinctive lead voice, but the harmonies around him are …
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Johnny Cash
Unchained gives Johnny Cash a fuller band sound without abandoning the directness of his singing. Tom Petty and the Heartbreakers provide much of the instrumental support, bri…
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Luke Combs
This One's for You introduces Luke Combs as a strong singer working inside some very familiar country arrangements. His rough, substantial voice can make a simple ballad feel …
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toe
The long title the book about my idle plot on a vague anxiety suits a record that seems to follow several small thoughts at once. Still, toe keep the sound clear. Two clean gu…
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Gleemer
Down Through gives Gleemer's hazy guitar music a clearer shape without taking away its softer character. The songs combine warm, drifting vocals with a rhythm section that can…
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Thursday
Full Collapse gives Thursday's post-hardcore a strong sense of movement. Clear guitar figures can turn into a heavier wall of sound, while Geoff Rickly's exposed singing sits …
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Joanne Shaw Taylor
Nobody's Fool gives Joanne Shaw Taylor's blues-rock sound a more open, melodic shape. Produced by Joe Bonamassa and Josh Smith, the album makes room for pop hooks, soul arrang…
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Paradise Lost
Draconian Times makes the gloom of Paradise Lost surprisingly approachable. The guitars remain heavy and the mood never becomes cheerful, but the songs have clear shapes and m…
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Black Pistol Fire
Look Alive gives Black Pistol Fire's blues rock a wider, more polished sound. The guitar and drums still provide the force, but synths, effects and stronger pop hooks make the…
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