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Reviews

1630 found · Page 66 of 68

7.7

Album review

Flesh Coffin

Lorna Shore

Flesh Coffin gives Lorna Shore's deathcore a clearer melodic and symphonic character. The band continue playing quickly and extremely heavily, but use the additional layers to…

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7.2

Album review

Confession

Ill Niño

Confession makes Ill Niño's mix of heavy guitar, percussion and melodic singing more accessible. The songs are direct, with Christian Machado giving the choruses a clear centr…

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8.3

Album review

A Farewell to Kings

Rush

A Farewell to Kings gives Rush room to expand their sound without leaving the force of a rock trio behind. Acoustic guitar, keyboards and a wide range of percussion add colour…

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8.2

Album review

The Underfall Yard

Big Big Train

The Underfall Yard gives Big Big Train's progressive rock a strong sense of character. Guitars and keyboards share the arrangements with flute, cello and brass, while David Lo…

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7.7

Album review

For My Crimes

Marissa Nadler

For My Crimes keeps Marissa Nadler's music small and its feelings complicated. Her soft voice sits among acoustic guitar, strings and restrained backing. The songs often conce…

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8.4

Album review

Lore

Elder

Elder make heavy rock that keeps moving. Lore has five tracks spread across almost an hour, but its appeal lies in the changes inside those songs. Thick riffs lead into lighte…

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8.9

Album review

Song for Our Daughter

Laura Marling

Song for Our Daughter keeps the music small and the thoughts broad. Laura Marling addresses an imaginary daughter, trying to pass something on about love, loss and finding a p…

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7.4

Album review

In Droves

Black Map

In Droves puts the bass close to the front of Black Map's sound. Ben Flanagan, guitarist Mark Engles and drummer Chris Robyn build their songs around firm grooves, heavy guita…

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8.4

Album review

Satan Worshipping Doom

Bongripper

Satan Worshipping Doom needs no voice to give its four long songs a clear shape. Bongripper let heavy guitars, low bass and firm drums determine the movement together. The pac…

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8.0

Album review

Versus

pg.lost

The electronics on Versus give pg.lost a useful new set of colours. Their guitars still carry the weight of the music, and the drums can push hard, but the synthesizers change…

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8.2

Album review

Dissolution Wave

Cloakroom

Dissolution Wave gives Cloakroom's large guitar sound a more compact and varied set of songs. The heavy tones remain, but the arrangements are less willing to let a single moo…

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8.7

Album review

Starspawn

Blood Incantation

Starspawn begins with its biggest challenge. Vitrification of Blood (Pt. 1) lasts more than thirteen minutes and uses that time to reveal many sides of Blood Incantation. The …

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6.9

Album review

Carolina

Eric Church

Carolina puts a polished country-rock sound around Eric Church's songs about desire, disappointment and ordinary life. The guitars are loud, the rhythms are firm, and his voic…

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8.8

Album review

Born Too Late

Saint Vitus

Born Too Late shows how much force a simple riff can hold. Saint Vitus plays slowly and roughly, with a guitar sound that continually hums and scrapes. Wino's singing fits tho…

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8.5

Album review

Ummon

Slift

Ummon turns a three-piece rock sound into something much larger. Slift combine rough guitar tones, active bass and forceful drums with synthesizers and long, repeating passage…

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8.2

Album review

Faced with Rage

Godsticks

Faced with Rage gives Godsticks' heavy guitar sound a wider emotional range. The riffs remain forceful, but the songs find more space for atmosphere and melody. Darran Charles…

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8.4

Album review

Ferment

Catherine Wheel

Ferment gives its layers of distorted guitar a firm musical foundation. Rob Dickinson and Brian Futter build a large, blurred sound, but the bass and drums remain active benea…

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8.5

Single review

Father

KERRY, Arminia

In a touching piano driven ballad, KERRY and Arminia really know how to convey how it feels when your father isn't in the picture and doesn't really care to be either. The lyr…

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7.6

Album review

Lucy Gray

Envy on the Coast

Lucy Gray gives melodic post-hardcore an active, guitar-led setting. Envy on the Coast bring together energetic playing, piano and a lead voice that can sound passionate witho…

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8.0

Album review

This Bright and Beautiful World

Greyhaven

Greyhaven make the space between chaos and melody feel productive on This Bright and Beautiful World. Their guitar parts can be restless and abrasive, but the singing often pu…

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8.5

Album review

In the Throes

John Moreland

In the Throes makes its strongest connection through the relationship between John Moreland's voice and his songs. The arrangements are often spare, leaving a rough, smoky del…

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8.2

Album review

Stumpwork

Dry Cleaning

Stumpwork takes some of the hurry out of Dry Cleaning without making their music more ordinary. Florence Shaw still sounds as though she is letting her thoughts wander aloud. …

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7.9

Album review

How to Disappear

Casey

How to Disappear brings Casey back with a more spacious version of their emotional post-hardcore. The Welsh band give melody and cleaner singing more room, allowing the songs …

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8.3

Album review

Primordial Arcana

Wolves in the Throne Room

Primordial Arcana brings Wolves in the Throne Room's aggressive and atmospheric sides close together. Fast drums and harsh guitars remain the foundations, with keyboards and s…

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