Album review: 'On the Impossible Past' by The Menzingers

On the Impossible Past

The Menzingers understand that remembering a good time can make the present feel worse. On the Impossible Past is full of people looking backwards while their lives continue to move in less certain directions. The songs turn that uncomfortable habit into melodic punk with enough detail to make the stories feel inhabited.

Good Things begins with a repeated guitar line and a voice struggling to get itself together. When the full arrangement opens, the chorus sounds like relief without offering an actual solution. The band establish a useful relationship between the music's momentum and the narrator's inability to move on.

The Obituaries makes that tension even more direct. Its refrain is easy to shout, but the feeling behind it is closer to self-accusation than triumph. The roughness in the singing keeps the hook from becoming a tidy piece of encouragement. These songs are inviting because the band seem willing to admit their own part in the damage.

The smaller details give the record much of its strength. Gates makes a relationship feel specific without losing the broad emotional appeal of its melody. Casey connects affection with remembered places and shared bad decisions, while Burn After Writing uses a more restless movement to suggest how difficult it is to leave a story behind. The guitars support the writing with clear figures and well-timed changes in force.

The album occasionally returns to familiar images of drinking, driving and fading youth before it has found something different to say through them. A few passages have less immediate shape than the strongest hooks. Yet the repeated details also help the songs seem connected, as though their characters might pass through the same rooms.

The title track's brief, exposed arrangement gives that connection a darker centre. The band do not make nostalgia seem entirely safe or admirable. On the Impossible Past is moving because it recognises how a memory can offer comfort and keep a person trapped at the same time. Its strong melodies provide company inside that contradiction without pretending to resolve it.