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Reviews

1129 found · Page 16 of 48

6.9

Album review

Explosions

Three Days Grace

Explosions keeps Three Days Grace's direct guitar rock intact while making more room for changes of mood. The strongest songs pair forceful playing with a clear melody, and Ma…

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7.9

Album review

One Day Remains

Alter Bridge

Myles Kennedy's voice gives One Day Remains a different kind of lift. He can rise above a heavy guitar part without making the song feel strained, and that ability changes the…

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7.5

Album review

Supercharged

The Offspring

Supercharged is a fairly sensible name for an Offspring record. It suggests speed, loud guitars and very little need to check the instruction manual. The band deliver plenty o…

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9.3

Album review

Worry.

Jeff Rosenstock

Worry. understands how quickly a good night can turn into an inventory of everything that might go wrong. Jeff Rosenstock writes about that mental change with humor, irritatio…

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9.4

Album review

The Gallery

Dark Tranquillity

The Gallery keeps changing the relationship between its melodies and its aggression. Dark Tranquillity allows a song to move through several distinct feelings, with the guitar…

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8.1

Album review

Here Be Dragons

Avantasia

Tobias Sammet has never needed much encouragement to make a song bigger. Here Be Dragons continues Avantasia's combination of power metal, theatrical rock and guest singers, w…

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8.3

Album review

Life's Not Out to Get You

Neck Deep

Life's Not Out to Get You is at its best when encouragement becomes a physical thing. The drums push, the guitar parts spring upward, and Ben Barlow throws himself into chorus…

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9.5

Album review

The Jester Race

In Flames

Moonshield opens The Jester Race with an acoustic melody that remains important after the heavier instruments arrive. The contrast establishes In Flames' central strength: the…

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9.0

Album review

Temple of the Dog

Temple of the Dog

Hunger Strike is a fine reason to find this album. Chris Cornell's higher voice and Eddie Vedder's lower register fit together so naturally that the duet can feel obvious, eve…

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8.2

Album review

Hit Me Hard and Soft

Billie Eilish

Billie Eilish's Hit Me Hard and Soft is like catching up with an old friend who's finally learned how to wear heels without wobbling. It's polished, mature, and quietly sophis…

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8.6

Album review

Morbid Stuff

PUP

“Scorpion Hill” gives Morbid Stuff its strongest argument. The song follows a life coming apart after the loss of a job, moving from an almost companionable opening into somet…

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8.8

Album review

Lost Forever // Lost Together

Architects

Lost Forever // Lost Together puts a clear voice at the center of complicated rhythmic music. Sam Carter's scream often carries a recognizable melodic contour, giving the list…

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8.7

Album review

Parasites & Butterflies

Nova Twins

Georgia South gets an extraordinary range of sounds out of a bass guitar. On Parasites & Butterflies, those sounds help Nova Twins move between heavy rock, dance rhythms and s…

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9.2

Album review

Deadwing

Porcupine Tree

Deadwing gives its quieter songs as much authority as its heavy ones. Lazarus does not feel like a pause inserted between guitar workouts. Its melody and delicate setting prov…

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9.0

Album review

Among the Living

Anthrax

Anthrax bring an unusual combination of enthusiasm and aggression to Among the Living. The riffs have the speed and weight of thrash, but the shouted backing vocals and sharp …

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8.1

Album review

Carnal

Nothing More

Nothing More put a lot of faith in a big chorus on Carnal. The guitars are heavy, the arrangements are detailed and Jonny Hawkins sounds fully committed to every emotional tur…

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8.8

Album review

Amplifier

Amplifier

Motorhead opens Amplifier with a guitar sound large enough to define the room around it. Sel Balamir's voice then gives the noise a clear melodic purpose, establishing the deb…

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7.8

Album review

Gifts from the Holy Ghost

Dorothy

Gifts from the Holy Ghost makes its case through Dorothy Martin's ability to sound certain. The songs deal in recovery, defiance and the determination to keep moving, and she …

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9.2

Album review

Painkiller

Judas Priest

Scott Travis's opening drum attack leaves little doubt about the intentions of Painkiller. Judas Priest make speed and impact central to the record, then give the guitars and …

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8.8

Album review

Friend of a Phantom

VOLA

VOLA have a very useful ability: they can make a heavy, awkwardly shaped riff sit comfortably next to a chorus you could sing without knowing anything about progressive metal.…

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7.3

Album review

Lucy

Candlebox

Lucy has a darker, looser atmosphere than its familiar hard rock ingredients might suggest. Candlebox still favour substantial guitar chords and an openly emotional singer, bu…

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