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Reviews

1129 found · Page 42 of 48

8.3

Album review

Deep Sage

Gouge Away

Deep Sage finds Gouge Away making more space for melody without removing the tension from their music. Christina Michelle can move from quieter singing to a much harsher deliv…

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8.0

Album review

Aphelion

Leprous

Aphelion finds Leprous moving between spare electronic passages and much larger rock arrangements. The Norwegian band keep Einar Solberg's expressive voice at the front, but s…

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8.0

Album review

Voidkind

DVNE

Voidkind makes Dvne's progressive metal more direct without reducing it to short, simple songs. The riffs arrive with greater urgency, while clean singing and more spacious pa…

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7.1

Album review

Ember

Breaking Benjamin

Breaking Benjamin turn up the aggression on Ember without making a major change to their sound. Heavy guitar grooves, large melodic choruses and Ben Burnley’s familiar voice r…

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8.6

Album review

This Could Be Texas

English Teacher

This Could Be Texas gives English Teacher plenty of room to show their range. The band move between sharp post-punk, melodic indie rock, quieter piano passages and more compli…

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8.0

Album review

Like an Arrow

Blackberry Smoke

Like an Arrow shows how much variety Blackberry Smoke can find inside a familiar Southern rock sound. There are heavier riffs, quieter country songs and stretches of funk, all…

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8.0

Album review

Ilion

Slift

Ilion pushes Slift's heavy psychedelic rock towards an even larger scale. Eight tracks fill nearly eighty minutes, with thick guitars, busy bass and forceful drums carrying mo…

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8.7

Album review

Hemispheres

Rush

Hemispheres puts a great deal of music into four tracks. Rush combine the force of a hard rock trio with changing rhythms, long instrumental passages and carefully arranged ke…

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8.2

Album review

What Else Can She Do

Kaitlin Butts

What Else Can She Do is short, but it has a clear purpose. Kaitlin Butts follows women facing difficult choices, using country arrangements that make room for both uncertainty…

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8.7

Album review

Let Me Get By

Tedeschi Trucks Band

Let Me Get By sounds like the work of musicians who trust each other. Tedeschi Trucks Band bring a dozen players into songs that draw on blues, soul, funk and roots rock, yet …

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8.1

Album review

First Temple

Closure In Moscow

First Temple gives busy progressive rock a strong sense of fun. Closure in Moscow fill the songs with quick guitar movements, high singing and changing rhythms, but they also …

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9.1

Album review

Blow by Blow

Jeff Beck

Blow by Blow gives Jeff Beck's guitar the freedom to lead without making the rest of the band feel secondary. The instrumental music connects rock, jazz and funk through clear…

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6.7

Album review

Insider

Amplifier

Insider pushes Amplifier towards a heavier, more direct guitar sound. The bass and drums give the riffs a substantial foundation, while Sel Balamir's voice tries to provide a …

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8.6

Album review

The Yes Album

Yes

The Yes Album makes complicated playing feel welcoming. Steve Howe's guitar adds folk, country and harder rock details, while Chris Squire's bass and Bill Bruford's drums keep…

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8.1

Album review

Lowborn

Anberlin

Lowborn gives Anberlin's alternative rock a more spacious electronic setting. The guitars still have weight, but atmosphere and Stephen Christian's singing often take priority…

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8.2

Album review

Folklore

Big Big Train

Folklore finds Big Big Train giving their detailed progressive rock a stronger connection to folk music. Strings, brass and flute add colour around the guitars and keyboards, …

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7.7

Album review

Boy Hits Car

Boy Hits Car

Boy Hits Car bring a more acoustic and atmospheric character to their heavy rock sound. CRegg Rondell's voice can move from a gentler delivery into a much more forceful perfor…

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8.4

Album review

Prologue

The Milk Carton Kids

Prologue creates a complete folk sound from two voices and two acoustic guitars. The Milk Carton Kids make the smaller setting feel generous through close harmonies and carefu…

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8.2

Album review

Platinum

Miranda Lambert

Platinum gives Miranda Lambert plenty of room to change direction. Across sixteen songs, she moves between polished country-pop, rougher rock performances and traditional arra…

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8.1

Album review

Royal Tea

Joe Bonamassa

Royal Tea turns Joe Bonamassa's long-standing love of British blues into a clear album idea. Recorded at Abbey Road with producer Kevin Shirley, it uses heavy riffs, soulful s…

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8.0

Album review

Known/Learned

Arcane

Known/Learned gives Arcane two very different ways to tell the same story. The Australian band divide this double album between heavier progressive music and a much quieter, l…

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8.7

Album review

Foxtrot

Genesis

Foxtrot brings the theatrical and instrumental sides of Genesis into a stronger relationship. Peter Gabriel's changing voices give the songs character, while the keyboards, gu…

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8.3

Album review

Who's the Boss in the Factory?

Karmakanic

Who's the Boss in the Factory? gives Karmakanic's progressive rock a warm, melodic character. Jonas Reingold's bass is easy to follow, the keyboards have plenty of colour, and…

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7.7

Album review

Narrative

156/Silence

Narrative is heavy in a way that reaches beyond its breakdowns. 156/Silence combine harsh guitar patterns with uneasy electronics and stretches of tension. The approach gives …

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