Casino
Casino is a guitar record with plenty of speed, but its appeal reaches beyond the number of notes Al Di Meola can fit into a phrase. Latin rhythms, electric intensity and acoustic playing all have a place here. Steve Gadd, Anthony Jackson and Barry Miles give the music a strong foundation, helping the lead guitar remain part of a group sound.
Egyptian Danza introduces the album with a mix of Latin movement and Middle Eastern flavour. Di Meola's clipped picking gives the music a sharp outline. The playing is precise, yet the arrangement has enough movement to stop that precision becoming stiff. Rhythm and melody both matter to the effect.
Dark Eye Tango takes a different route. Its slower opening theme suggests a gentler piece before the music becomes faster and more urgent. Di Meola uses that change to make his lead playing feel like part of the development. The faster passages gain their impact from the contrast, rather than arriving without a reason.
Fantasia Suite for Two Guitars brings acoustic colour to the record. Di Meola layers his own playing, creating a conversation between parts rather than relying on the full band. The separate sections do not always feel equally connected, but the best moments offer an attractive change from the electric force around them.
There is a familiar side to Casino. It continues an established combination of Latin rhythm and jazz-rock, and some backing patterns can sound tied to their era. The guitar often supplies the freshness that those grooves need. Di Meola's phrasing gives his technique a purpose, while the rhythm section keeps the music lively. Casino is a convincing choice for listeners who enjoy expressive fusion guitar and want more than a simple demonstration of speed.
