Album review: 'The Bones of a Dying World' by If These Trees Could Talk

The Bones of a Dying World

The Bones of a Dying World makes a strong case for the simple pleasure of layered guitars. If These Trees Could Talk build their instrumental songs around bright melodies, a solid rhythm section and changes in weight. There is no great change of direction here, but the playing and clear production give the familiar approach plenty of life.

Solstice is an effective introduction. The guitars begin with a light, open sound before the whole band adds more force. The melody remains easy to follow as the track grows. That balance between detail and impact is central to the album: the louder sections keep the gentler ideas in view rather than simply covering them up.

Swallowing Teeth leaves more room around its early phrases. It gives the record a little breathing space before Earth Crawler brings a more tense, unsettled mood. After the Smoke Clears eases that pressure again. These changes are gradual, but they give the opening run a sense of movement beyond a series of similar crescendos.

The Giving Tree is another highlight. Its opening guitar textures are inviting, and the layers of bass and drums make the music feel full without making it difficult to follow. The lead lines do much of the expressive work that a singer would handle in another band. There is a hopeful quality here, even when the sound becomes heavier.

That sense of lift also comes through in Berlin, which builds steadily towards a bigger guitar sound. One Sky Above Us gives the album a warm, expansive finish. These songs make good use of a clear mix, where the different parts can contribute to the shape of the music.

The main reservation is how closely the record stays to an established sound. Its ringing guitars, careful builds and releases will feel familiar to anyone who knows this corner of post-rock. A few more surprises would help the album make a stronger individual mark. Still, The Bones of a Dying World succeeds on the strength of its melodies and the band's control of their instruments. It is an absorbing, well-made record, particularly for listeners who value a gradual build over a sudden change.