Concierto
Jim Hall gathers an impressive group on Concierto, but the record depends mainly on how closely the musicians respond to one another. Chet Baker, Paul Desmond, Roland Hanna, Ron Carter and Steve Gadd all have space without turning the session into a contest. Hall's guitar gives the music its direction. In practice, each contribution helps the next player find a way forward.
You'd Be So Nice To Come Home To begins brightly. The bass keeps it moving, the drums leave the rhythm open, and the solos connect smoothly. Baker and Desmond have distinct sounds, but their melodies share a relaxed atmosphere. Hall plays clearly enough to stand out without constantly pushing ahead of everyone else.
The shorter Two's Blues maintains that lightness. The Answer Is Yes moves more gently, revealing a quieter side to the record. These first pieces show how much character the group has. The musicians need no large orchestra to make the sound feel rich.
The longest piece is an adaptation of Concierto De Aranjuez. Arranger Don Sebesky gives the familiar material a clear framework while leaving room for the individual players. Its opening develops slowly. When bass and drums establish a steadier movement, the music changes without losing its thoughtful character. The solos have time to develop and remain connected to the atmosphere.
Listeners mainly seeking fierce playing may find the approach cautious. The piano, for example, is tasteful rather than especially adventurous. Yet that restraint is central to Concierto's appeal. The melodies gain weight because the players avoid saying everything at once. Hall shows how accessible and rich jazz can sound when a strong group genuinely plays together.
