Unmaker
LLNN get to the point quickly on Unmaker. The Danish band’s third album combines rough guitars, heavy bass and drums with electronic sounds that make the music feel even more unsettled. It is an intense record, but the detail around those heavy parts gives it more character than volume alone could provide.
“Imperial” opens with immediate force. Christian Bonnesen’s harsh vocals fit the pressure of the guitars, while the rhythm section makes every change feel solid. The production stays clear enough for the different instruments to keep their own place, even when the whole band are pushing hard.
The electronic parts are central to that identity. Keyboard player Ketil G. Sejersen works with manipulated recordings of industrial tools, bringing an extra roughness and an uneasy atmosphere to the arrangements. Those sounds connect with the album’s interest in technology and power, rather than feeling like decoration added after the songs were finished.
“Obsidian” and “Forger” show how well the electronic layers can work alongside the band. The guitars remain direct, but the surrounding sounds keep the music from becoming flat. “Interloper” allows the tension to build more gradually before the heavier playing takes over. That change of pace gives the impact a clear reason to exist.
The shorter pieces also matter. “Vakuum” provides an unsettled electronic break, while “Resurrection” closes the album in a more reflective mood. “Tethers” brings a different focus to the bass, making room for the music to feel broader without suddenly becoming comfortable.
There is still a limit to how much variation this approach offers. The general mood stays dark, and some of the patterns follow a familiar route through atmosphere and crushing riffs. Anyone looking for bright melodies or a wide emotional range will find little relief here.
Yet Unmaker is effective because LLNN commit to that focused sound and give it enough internal detail. The songs connect well, the quieter sections have a purpose, and the heavy playing remains clear. It is a strong choice for listeners who want forceful metal with a carefully built atmosphere behind it.
