Album review: 'City' by Strapping Young Lad

City

City begins like a machine being forced into motion. The short Velvet Kevorkian builds pressure, then All Hail the New Flesh opens into a much larger attack. Strapping Young Lad make that transition feel almost excessive, but the song's melodic lift gives the force a purpose. Devin Townsend can sound furious and strangely encouraging within the same passage.

Gene Hoglan's drumming is essential to the record's identity. The fast kick patterns and tightly placed fills make the dense guitar layers feel mobile, with enough precision to keep the sound from collapsing into noise. Oh My Fucking God pushes the vocal and instrumental activity towards overload, using rapid delivery and sudden interruptions to create a sense of barely controlled panic. The humour is aggressive and often crude. It can make the anger feel cartoonish, though it also prevents the record from becoming solemn about its own extremity.

Detox offers a more clearly defined rhythmic hook. Its central guitar movement is memorable enough to remain audible through the heavy layering, and Townsend's vocal turns give the song a strong dramatic outline. Home Nucleonics compresses the attack into a shorter, particularly frantic burst. The slower groove of AAA changes the emphasis without reducing the pressure, showing that the band's intensity does not depend entirely on speed. Across these tracks, keyboards and samples act as part of the physical sound, adding an industrial atmosphere around the guitars and drums.

The final songs make the album's emotional range clearer. The Cop Shoot Cop cover Room 429 introduces a more sustained melodic shape, while Spirituality lets the music expand at a slower pace. That ending matters because it exposes feeling beneath the earlier aggression. The record is demanding, and some details are deliberately difficult to separate, but its best songs have a clear identity inside the density. Strapping Young Lad turn technical control, absurd humour and emotional strain into a distinctive kind of heavy music, with the closing stretch revealing how much more it contains than anger alone.