Ascension
Ascension gives Paladin a strong foundation for bringing different forms of metal together. The Atlanta band connect power metal melodies with sharper thrash guitars and harsh singing. Taylor Washington can sing high and clearly but also use a much rougher voice. Meanwhile, guitars supply sufficient movement to make those changes sound convincing rather than merely decorative.
Awakening begins with pronounced guitar melodies and soon creates room for a large chorus. Speed and high singing set the tone without allowing technical playing to hide the tune. Divine Providence expands the approach. Harsh and clean vocals alternate while the music moves between more moderate sections and faster passages, revealing how much contrast the band can accommodate.
Bury the Light places its sharp guitar work in darker surroundings. Melodic parts remain important but gain additional threat. Genesis seeks a slower, heavier progression towards the end and allows the atmosphere to change further. Such songs give the record more character than a collection of fast choruses and impressive solos would provide on their own.
The interplay between Washington and fellow guitarist Alex Parra is a major strength. Parts sound precise and allow melodies to emerge clearly. Drumming also supplies sufficient rhythmic changes to keep the songs moving forward. Production serves the guitars well, although cymbals and bass drums sound less substantial than the performances deserve. Those details occasionally reduce the impact of otherwise convincing playing.
Constant intensity can become tiring. Washington's clean voice is powerful but sometimes lacks variety in delivery. Nevertheless, Ascension remains convincing because the musicians connect technical ability with recognisable songs. Heavy and melodic sides both have clear roles, providing more than an excuse to demonstrate their range. Paladin present enough different ideas to earn an individual place among the familiar models of the genre.
