Album review: 'Dysfunction' by Staind

Dysfunction

Mudshovel begins with a bass line that does more than introduce a riff. It gives Dysfunction a recognisable movement, leaving the heavier guitar entrance somewhere definite to land. Staind are most effective here when the instruments create that kind of pressure before Aaron Lewis releases it.

The 1999 album is considerably harsher than the acoustic ballads often associated with the band. Suffocate opens with a heavy guitar figure, then pulls parts away to leave the voice exposed against bass and drums. The changes in density give Lewis' shifts between singing and shouting a useful musical frame.

Raw and Spleen push that physical attack further. Mike Mushok's guitar sound has enough weight to make a small rhythmic change feel substantial, and Jon Wysocki's drumming keeps the more aggressive sections active. The music is less concerned with intricate riffs than with the effect of a band arriving together on the same hard accent.

The quieter songs are essential to the album's character. Me gives Lewis a setting in which his lower, more restrained delivery can make an impression. Home also uses the spaces between the heavier passages well, giving the chorus a specific feeling of release. Those moments show that the band can express unease without keeping every instrument at its most abrasive.

The recurring lyrical mood is harder to escape. Hurt, isolation and anger appear so frequently that the individual songs can lose definition. Lewis is convincing as a singer, but some passages depend too much on the rawness of the delivery to supply a new perspective. The familiar soft-verse/heavy-chorus construction also becomes predictable before the record has finished.

Even with those limitations, Dysfunction has a physical presence that distinguishes its strongest tracks. The bass-led movement of Mudshovel and the contrasts in Home give the emotion a shape beyond repeated declarations of pain. It is a heavy, uneven album whose appeal lies in the connection between a very exposed voice and a band capable of making the pressure around it feel tangible.