Album review: 'Someone Here Is Missing' by The Pineapple Thief

Someone Here Is Missing

Someone Here Is Missing brings a more forceful guitar attack and a stronger electronic presence to The Pineapple Thief's melodic rock. Bruce Soord's voice remains fragile and reflective, but the arrangements often move quickly between restraint and a much heavier sound. The combination gives the songs an energy that works alongside their more melancholy character.

Nothing at Best introduces the electronic side through pulsing sounds and an active rhythm. The guitars and keyboards keep changing the weight around the vocal, making the opening accessible without leaving the arrangement entirely predictable.

Wake Up the Dead begins more sparsely. A processed drum pattern leaves space for the singing before the guitars increase the pressure.

Preparation for Meltdown makes the changes more extreme. Unusual electronic sounds and restrained passages give way to forceful guitars and cymbals. The song's interest comes from the movement between those different levels of intensity, with the quieter material helping the heavier parts make their impact.

The State We're In provides a gentler acoustic setting, while Show a Little Love gives the guitar and keyboard interplay a more active role. Its riff is strong, but the arrangement does not simply repeat it unchanged.

The title track grows from a more subdued beginning towards heavier playing. 3000 Days takes longer to reach the voice, using an extended instrumental opening to establish its direction. These choices give the later stretch a broader shape without requiring every song to become an extended epic.

The main limitation is the repetition underneath some of those changes. Several passages return to similar guitar patterns, and Soord's vocal style can make the influence of Radiohead too obvious. The arrangements have more individual character than every part of the singing.

Even so, Someone Here Is Missing balances weight, melody and atmosphere effectively. The best songs make their changes of texture feel necessary, giving the record a convincing identity even where its influences remain easy to recognise.