Album review: 'City of Evil' by Avenged Sevenfold

City of Evil

City of Evil enjoys the possibilities of a large heavy metal arrangement. Avenged Sevenfold fills its songs with harmonized guitars, busy drums, strong vocal hooks and occasional orchestral passages, often allowing several ideas to develop within one track. The scale can be excessive, but the enthusiasm and musical detail give that excess a clear appeal.

Beast and the Harlot establishes the tone through its insistent guitar movement and emphatic chorus. The Rev's drumming supplies much more than a steady foundation, adding quick changes and fills that keep the arrangement animated. Blinded in Chains gives his playing another particularly effective setting. Its speed and restless accents make the song feel urgent even when the guitar lines become elaborate.

Bat Country is the most concentrated statement of the album's strengths. Its central hook is immediate, the quieter contrast has a definite purpose, and the harmonized leads make the instrumental development memorable in its own right. Synyster Gates and Zacky Vengeance work as a partnership rather than simply placing a solo over a backing riff. The song remains easy to follow through all that movement.

The longer material opens different possibilities. Sidewinder makes its acoustic ending feel like a genuine extension of the song's melodic language. The change in texture gives the guitar playing another kind of energy. The Wicked End takes a more theatrical route, bringing choir and orchestral colors into a dark, busy structure. Its ambition is convincing because the central guitar and vocal ideas are strong enough to remain identifiable within the larger presentation.

M. Shadows is the more divisive part of the sound. His clean delivery can become nasal and strained, especially when the arrangement pushes him toward sustained high notes. Seize the Day also relies on more familiar ballad gestures than the surrounding material. Those moments make the band's expressive choices feel narrower than its instrumental ability.

Still, City of Evil has a distinctive appetite for musical adventure. Its strongest songs keep finding another useful melody, rhythmic variation or instrumental exchange without losing their main identity. Avenged Sevenfold makes technical playing feel exuberant, and the album's confidence gives even its most elaborate passages an accessible point of entry.