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Reviews

1129 found · Page 28 of 48

8.4

Album review

The Greatest Mistake of My Life

Holding Absence

The Greatest Mistake of My Life gives Holding Absence's dramatic rock sound the songs it needs. Lucas Woodland's voice is large and expressive, but the album does more than pl…

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7.7

Album review

Vol. I

Hurt

Vol. I gives Hurt's heavy rock a restless, dramatic shape. Acoustic guitar, dense electric parts and orchestral textures sit around J. Loren Wince's shifts from quieter singin…

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8.2

Album review

A Place in the Queue

The Tangent

A Place in the Queue is a generous, sometimes overgenerous, collection of progressive rock. The Tangent stretch two compositions past twenty minutes and fill the space between…

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8.3

Album review

Gish

The Smashing Pumpkins

Gish brings a strong psychedelic character to the Smashing Pumpkins' guitar rock. The sound is heavy, but its appeal comes from the different layers and changes in intensity w…

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8.1

Album review

Dimensional Bleed

Holy Fawn

Dimensional Bleed makes its strongest impression through small changes inside a large sound. Holy Fawn still use heavy guitar and rough vocals, but electronic textures, softer…

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8.4

Album review

Heavener

Invent Animate

Heavener is strongest when Invent Animate let a clear melody guide their technical metalcore. The guitars can be dense and demanding, but Marcus Vik's singing gives the arrang…

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8.3

Album review

Alien Love Secrets

Steve Vai

Alien Love Secrets gives Steve Vai's guitar a direct, energetic setting. The seven-track EP has plenty of unusual effects, but the playing also moves through clear changes of …

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8.5

Album review

Ashes Are Burning

Renaissance

Ashes Are Burning places the voice and piano at the centre of Renaissance's progressive rock. Annie Haslam's clear singing gives the music much of its character, while John To…

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7.8

Album review

Inescapable

Godsticks

Inescapable combines the heavy rhythms of Godsticks with a stronger emphasis on melody. The guitars can be sharp and forceful, but the arrangements also leave room for a more …

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8.3

Album review

English Electric Part Two

Big Big Train

English Electric Part Two develops Big Big Train's blend of progressive rock, folk detail and orchestral colour with a confident set of songs. Its stories return to England's …

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8.5

Album review

The Fall Of Hearts

Katatonia

The Fall Of Hearts gives Katatonia's dark melodies more room to change. The Swedish band move between heavy guitar passages, quieter acoustic playing and detailed progressive …

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8.5

Album review

Death Is Little More

Boundaries

Death Is Little More gives Boundaries' metalcore a sharp balance between overwhelming force and clear melodic detail. The Connecticut band rarely reduce the pressure for long,…

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8.3

Album review

The Order of Time

Valerie June

The Order of Time gives Valerie June's roots music a loose, open atmosphere. Folk, blues, gospel and soul remain easy to recognise, but the arrangements let those sounds blur …

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8.8

Album review

De-Loused in the Comatorium

The Mars Volta

De-Loused in the Comatorium asks a lot from the start. The Mars Volta take the force of post-hardcore and send it through tangled guitar parts, restless rhythms and long stret…

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7.8

Album review

Abur

Pothamus

Abur gives Pothamus' slow, atmospheric metal a broader range of textures. Repeated bass figures, detailed percussion and layers of singing remain central, with the sustained s…

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8.6

Album review

Rouge Carpet Disaster

Static Dress

Rouge Carpet Disaster makes familiar post-hardcore sounds feel urgent again. Static Dress combine sharp guitars, frantic singing and large melodies with a strong sense of how …

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8.3

Album review

Scintilla

Nosound

Scintilla gives Nosound's reflective music a more intimate setting. Piano, acoustic guitar and cello create much of the character, with drums and heavier passages adding force…

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8.0

Album review

This Is The Warning

Dead Letter Circus

This Is The Warning makes a large sound from carefully arranged parts. Dead Letter Circus combine ringing guitar effects, restless rhythms and Kim Benzie's high, expressive vo…

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8.2

Album review

12th House Rock

Narrow Head

12th House Rock puts large guitar riffs inside a softer, less settled atmosphere. Narrow Head draw openly on 1990s alternative rock, but the contrast between weight and Jacob …

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8.0

Album review

Duck

The Aristocrats

Duck gives The Aristocrats plenty of room for their mix of rock, jazz and musical humour. Guitarist Guthrie Govan, bassist Bryan Beller and drummer Marco Minnemann work throug…

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8.4

Album review

Clairvoyant

The Contortionist

Clairvoyant puts atmosphere at the centre of The Contortionist's progressive sound. The guitars remain detailed and the rhythms still shift beneath the songs, but melody, keyb…

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8.4

Album review

Vital

Anberlin

Anberlin give their melodic rock a sharper electronic edge on Vital. The guitars and drums still provide plenty of force, but synths and programmed details have a larger role …

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9.5

Album review

Djesse Vol. 4

Jacob Collier

Djesse Vol. 4, released on February 29, 2024, marks the culmination of Jacob Collier's ambitious four-part project that began in 2018. This final installment showcases Collier…

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9.0

Single review

American Adrenaline

Kawala

Kawala is good at one thing: making happy, catchy tunes. And believe me when I say they did exactly that with American Adrenaline. The lyrics seem to be a combination of awe f…

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