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Reviews

1607 found · Page 28 of 67

8.2

Album review

Turmoil & Tinfoil

Billy Strings

Turmoil & Tinfoil has the speed and precision of strong bluegrass, while Billy Strings regularly lets his curiosity widen the sound. Acoustic instruments remain at its centre.…

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8.2

Album review

Sundiver

Boston Manor

Boston Manor have spent several albums moving away from the pop-punk label, and Sundiver makes a strong case for giving them the room. Guitars, electronic textures and heavy r…

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9.3

Album review

City

Strapping Young Lad

City begins like a machine being forced into motion. The short Velvet Kevorkian builds pressure, then All Hail the New Flesh opens into a much larger attack. Strapping Young L…

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8.3

Album review

What One Becomes

SUMAC

What One Becomes takes SUMAC towards the boundary between fixed composition and free interplay. Heavy riffs give the music recognisable shapes, but the band repeatedly release…

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9.1

Album review

Diorama

Silverchair

Across the Night opens a door Silverchair had only partly approached before. Strings, brass and a twisting vocal melody turn the start of Diorama into something closer to an e…

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8.7

Album review

Good Mourning

Alkaline Trio

There is a cheerful cruelty to the opening of Good Mourning. This Could Be Love makes a grisly fantasy sound catchy enough to hum while doing something entirely ordinary. Alka…

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8.2

Album review

Hatred for Mankind

Dragged into Sunlight

Hatred for Mankind sounds as though several forms of extreme metal are pushing against the walls together. Dragged into Sunlight connect dirty sludge with faster, fiercer guit…

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8.0

Album review

The Cause Of Shipwreck

Blackbriar

Zora Cock gives The Cause Of Shipwreck a voice of its own. She can sing clearly and almost gently, then give a melody an unsettling edge. Blackbriar build arrangements that su…

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8.8

Album review

Ascension

Paradise Lost

Paradise Lost have a very reliable relationship with misery. On Ascension, they make it sound surprisingly full of life. The guitars are heavy, Nick Holmes moves between clean…

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7.7

Album review

Gloss Drop

Battles

Gloss Drop is more concerned with sustaining a groove than surprising the listener at every turn. Battles keeps its guitars, keyboards and drums closely connected while allowi…

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9.2

Album review

Ocean Machine: Biomech

Devin Townsend

The size of Ocean Machine: Biomech comes from layers rather than speed. Devin Townsend stacks guitars, keyboards and voices until the individual parts form a broad, shifting b…

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8.4

Album review

Freedom's Goblin

Ty Segall

Freedom's Goblin quickly makes clear how many directions Ty Segall wants to explore. "Fanny Dog" places a heavy guitar riff beside horns and lively piano. The sound is large, …

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7.6

Album review

Dysfunction

Staind

Mudshovel begins with a bass line that does more than introduce a riff. It gives Dysfunction a recognisable movement, leaving the heavier guitar entrance somewhere definite to…

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8.7

Album review

Sing the Sorrow

AFI

The group chant at the beginning of Sing the Sorrow sounds like an invitation with conditions attached. AFI create a large, dark setting before the main songs even begin, but …

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8.0

Album review

Fever

Against the Current

Seven songs. Just over 22 minutes. Against the Current clearly aren't asking for your whole afternoon, and fever is better for it. The band put guitars back near the front aft…

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7.5

Album review

Tweez

Slint

Tweez sounds as though Slint have not decided which strange ideas belong in a song. Guitars are sharp, bass is prominent, and rhythms can turn elsewhere halfway through. Conve…

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8.4

Album review

This Side

Nickel Creek

This Side gives Nickel Creek plenty of room between bluegrass and pop. Mandolin, fiddle and guitar remain clearly recognisable, but the band do not treat them as a reason to s…

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9.0

Album review

The Stage

Avenged Sevenfold

The Stage asks Avenged Sevenfold's musicianship to support a larger set of questions. Artificial intelligence, human ambition and the scale of the universe give the album a co…

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9.6

Album review

Lateralus

Tool

Lateralus turns a repeating figure into a moving landscape. Tool can stay with a riff for a long time while changing what the drums, bass and voice make it mean. The album's c…

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7.8

Album review

Another Side of You

ILLUMISHADE

Another Side of You gives ILLUMISHADE a larger, more accessible sound. The guitars are heavy, the arrangements broad, and Fabienne Erni's voice remains clear throughout. The b…

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8.2

Album review

Adventure

Television

Adventure brings a softer edge to Television’s guitar music. Tom Verlaine and Richard Lloyd still make the songs interesting through the relationship between their parts, but …

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8.8

Album review

Punk in Drublic

NOFX

NOFX make a convincing case for taking unserious people seriously on Punk in Drublic. The jokes are obvious, Fat Mike's voice is hardly graceful, and the songs often arrive at…

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8.1

Album review

Sixteen Stone

Bush

Bush were never difficult to place on the musical map. Sixteen Stone has the thick guitars, quiet verses and explosive choruses associated with early-nineties alternative rock…

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9.0

Album review

Imaginations from the Other Side

Blind Guardian

Imaginations from the Other Side connects Blind Guardian's speed with larger, more complicated songs. Guitars retain plenty of bite, and the drums keep giving the music forwar…

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