Album review: 'Come on Die Young' by Mogwai

Come on Die Young

Come on Die Young more often finds strength in restraint than an unexpected loud hit. Mogwai let simple guitar lines ring out and give keyboards, voice fragments and small sound changes considerable room. This makes the album sombre and cohesive. The same approach can feel slow when an idea changes too little.

Punk Rock: opens with Iggy Pop's spoken voice above quiet guitar. The fragment gives the music an attitude without requiring the band to shout. Cody then reveals another side, with Stuart Braithwaite's singing more clearly present than on much earlier material. Simplicity helps bring the track close.

Helps Both Ways places American football commentary among its instruments. This is a strange detail within a restrained arrangement, but makes the setting recognisable. Quiet guitar and the low rhythm hold it together. The track shows that Mogwai do not always require a large outburst to establish a mood.

The longer pieces later in the album ask for more patience. Ex-Cowboy and Chocky use shifting layers whose effect develops slowly. Christmas Steps reaches a clear release most convincingly. Guitars initially move widely around each other before bass and drums increase the pressure and the sound becomes much louder. Returning to calm then gives it a suitable ending.

Not every development works equally well. Riffs and moods sometimes remain in one place too long, making the record feel like one extended piece rather than a strong sequence of songs. But the best passages use that length well. Come on Die Young succeeds when small changes give the sombre setting enough direction. It is a demanding next step with several particularly strong moments, even if attention does not remain equally firm throughout.