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Reviews

1107 found · Page 37 of 47

7.7

Album review

Animosity

Sevendust

Animosity gives Sevendust's heavy sound a wider emotional range. The guitars still deliver plenty of weight, but Lajon Witherspoon's singing allows the music to become more op…

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8.0

Album review

Inflamed Rides

O.R.k.

Inflamed Rides introduces O.R.k. with short, changing songs rather than a long demonstration of progressive-rock technique. Heavy guitars, acoustic passages and psychedelic de…

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8.1

Album review

Aquarius

Haken

Aquarius gives Haken an ambitious starting point. The London band's debut moves through long progressive rock and metal arrangements, using melodic singing, busy keyboards and…

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8.2

Album review

Tempel

Colour Haze

Tempel puts the movement between bass, guitar and drums at the centre of Colour Haze's sound. The Munich trio use blues and psychedelic rock as a foundation, leaving room for …

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7.6

Album review

Lightning Bolt

Pearl Jam

Lightning Bolt finds Pearl Jam working confidently within an established rock sound. The guitars have room to develop, the rhythm section is assured and Eddie Vedder remains a…

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7.6

Album review

Short Bus

Filter

Short Bus keeps Filter's early sound focused on rough guitars, heavy bass and Richard Patrick's sharp, strained voice. The electronic side is present, but the riffs do most of…

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8.5

Album review

Country Squire

Tyler Childers

Country Squire makes a full album out of nine tightly connected songs. Tyler Childers keeps the sound firmly within country music, using its twang and rhythmic lift around sto…

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7.7

Album review

Hell Finds You Everywhere

Thousand Below

Hell Finds You Everywhere brings Thousand Below closer to pop without removing their heavier side. The songs rely on large choruses, polished production and James DeBerg's fle…

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8.6

Album review

Nowhere

Ride

Nowhere brings a strong rhythm section into music built from overlapping guitar layers. Ride can make an enormous sound, but the songs remain melodic and the singing has a gen…

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9.0

Album review

Stardust

Willie Nelson

Stardust gives familiar songs a remarkably personal setting. Willie Nelson takes ten pop standards and approaches them with the ease of a country singer, the rhythmic freedom …

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7.9

Album review

Return To Dust

Return To Dust

Return To Dust give their debut a clear identity through heavy guitar and two voices that fit closely together. The grunge influence is easy to hear, especially in the darker …

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8.2

Album review

Made by These Moments

The Red Clay Strays

Made by These Moments puts The Red Clay Strays' powerful singing inside a fuller southern-rock sound. The guitars can be busy and loud, but Brandon Coleman's voice rarely lose…

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8.8

Album review

What If

Dixie Dregs

What If gives Dixie Dregs' instrumental music a clear sense of fun. Heavy guitar lines, fast jazz-rock passages, country rhythms and delicate acoustic playing all fit into the…

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8.6

Album review

Red Headed Stranger

Willie Nelson

Red Headed Stranger asks for close attention through small gestures. Willie Nelson tells a story of violence, loss and a wandering preacher with unusually spare country music.…

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7.8

Album review

The Bones of a Dying World

If These Trees Could Talk

The Bones of a Dying World makes a strong case for the simple pleasure of layered guitars. If These Trees Could Talk build their instrumental songs around bright melodies, a s…

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7.5

Album review

In Due Time

Submersed

In Due Time gives Submersed a strong introduction through expressive singing and guitar parts that do more than support the choruses. The music stays close to accessible post-…

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8.3

Album review

Shrine of New Generation Slaves

Riverside

Riverside put melody and atmosphere ahead of constant heaviness on Shrine of New Generation Slaves. The Polish band's fifth album still has firm guitar riffs and busy instrume…

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7.8

Album review

New Killer America

Skrape

New Killer America gives its heavy riffs a more atmospheric setting than the basic style might suggest. Skrape use keyboards, prominent bass and Billy Keeton's varied voice to…

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8.4

Album review

Unison Life

Brutus

Unison Life makes a big sound with a small line-up. Brutus use guitar, bass, drums and Stefanie Mannaerts' voice to create songs that can be fierce and fragile within a few se…

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7.1

Album review

Great Escape

Crippled Black Phoenix

Great Escape builds a large, melancholy world from guitars, keyboards, electronics and contrasting voices. Crippled Black Phoenix often favour a gradual rise in intensity over…

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8.2

Album review

No Feeling Is Final

Maybeshewill

No Feeling Is Final gives Maybeshewill's return a broad, carefully arranged sound. Guitars still have an important role, but strings, keyboards, brass and electronics help car…

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7.9

Album review

Shine On Rainy Day

Brent Cobb

Shine on Rainy Day takes its time. Brent Cobb brings country, soul and gentle roots rock together in arrangements that favour a natural feel over a polished surface. His Georg…

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7.9

Album review

Saosin

Saosin

Saosin's self-titled debut makes technical playing sound immediate. The guitars move around each other, the drums stay busy, and Cove Reber's high voice gives the songs a clea…

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6.8

Album review

Letting Go

Earshot

Letting Go gives Earshot a convincing sound before it gives them a convincing identity. The guitars are tense and substantial, the band play closely together, and Will Martin'…

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