Album review: 'No Time to Bleed' by Suicide Silence

No Time to Bleed

No Time to Bleed keeps Suicide Silence's attack recognisable while giving the songs more varied movement. Heavy guitar patterns and fast drums remain important. Within that framework, the band search more often for atmosphere and details which offer something beyond playing harder or lower.

Wake Up opens directly and sets the tone without a lengthy introduction. Mitch Lucker's voice remains central to the effect. High screams and deeper sounds make the music fiercer while the guitars establish clear rhythmic lines. The sound is large and carefully finished.

Smoke brings the strengths together particularly well. Drum fills keep the music restless before a quick change in pace gives it greater force. The guitars have enough weight for slower accents to work fully. The band connect the passages tightly, preventing the attack becoming a collection of separate eruptions.

Lifted adds atmosphere without abandoning the heavy foundation. There is a clearer sense of tension beneath its direct riffs. The closing Disengage then chooses a heavier, slower movement, bringing those firmly accented rhythms forwards one final time.

The production also has a drawback. Drums can sound so prominent that they seem to push the other parts aside. High vocals receive plenty of attention too, reducing variety over longer stretches. No Time to Bleed still presents a band with a stronger grasp of their materials, however. The riffs provide clear hooks, and greater attention to pace and atmosphere makes the best songs recognisable. It is convincing deathcore within firm boundaries, particularly successful when its different kinds of force connect carefully. The extra detail helps the heavy moments keep their impact.